Backing Up Footage Instructions

This is a professional workflow for backing up footage. In general you want to have three backups of everything. Usually two by the time you leave set and an additional one once you get back to the office.

Hard drives are labeled (PROJECT TITLE)_RAW_#(Letter), i.e. PROLOGUE_RAW_2A

  1. The “#” represents the number of the set of hard drives the footage is stored on. This number will increase as the number of hard drives increases. When there is approximately 500GB or less available on the drive, we should switch to backing up to the next set of numbered drives.

  2. The (Letter) represents the set of the hard drive.  We store 3 sets of backups, so the first set will be labeled “A,” the second “B,” and the third set “C.”

  1. Double check card labels and please rename if it does not match the structure identified below.

  2. SHOOT DAY CARDS

    1. All set audio & video cards should be in a folder called 1_RAW FOOTAGE

    2. Any BTS photos or productions stills can be placed in the folder PHOTOS -> ON SET folder

    3. All footage should be backed up 3 times to each set of drives (A, B and C).

  3. CARD NAMES

    1. YYYYMMDD -> (Recording Equipment) -> (Camera Card folder name)_(###)_(CameraOperatorInitials)

      1. YYYYMMDD

        1. The shoot day is always expressed with 4 digits for the year, and 2 digits for month and day.  So March, 3rd, 2016 is expressed as 20160303.

      2. (Recording Equipment)

        1. The name of the camera or audio recording device.

          1. SONY FX9, Alexa 35, etc.

      3. (CameraOperatorInitials)

        1. The initials of the camera operator.  Justin Joseph Hall is represented as JJH.

      1. ###

        1. Add 3 digits of #’s for your card if not already included in the card name

          1. i.e. 003, 017, 9

      2. Card sets are backed up three times on the hard drives: (PROJECT)_RAW_#A & (PROJECT)_RAW_#B & (PROJECT)_RAW_#C

When you’re done store the hard drive in three different physical locations. Preferably not in the same building, but even more so, preferably not in the same region where a natural distaster could occur and wipe out all your footage.